Advanced English II (BFE19013)

Media Discourse Analysis I: What It Is and How to Do It

Instructor: Miao Zhang 張淼

What is “media discourse”?

What is “media discourse”?

Plain definition: the language of the media — news, interviews, broadcasts — made for an audience not in the room.

  • Public — made for everyone, not private
  • Manufactured — someone wrote, edited, and packaged it on purpose, with a purpose
  • On record — it leaves traces we can collect and study

Why should we care about it?

  • Media don’t just report the world — they construct versions of it, choice by choice.
  • Every word is a decision: this word, this quote, this number — not the alternatives.
  • Those choices add up to how the public sees the world and how they would do about it.

Media discourse analysis = looking closely at those choices and asking why.

How is media discourse analysis done?

  1. Lens 1 — the text: the words themselves. Naming, describing, metaphors, numbers, grammar.
  2. Lens 2 — the producer: who made this, for whom, and why. Outlet, genre, audience, purpose.
  3. Lens 3 — what’s missing: who never gets to speak, which questions are never asked.

Critical Discourse Analysis (CDA)

Studying how power and ideology hide in everyday language — how texts represent people and events in ways that serve some interests more than others.

Lens 1 in detail (1/2): nomination & predication

  • Referential / nomination — what do they call things? A “system”? A “machine”? Students as “products”? (Refugees as flood?)
  • Predication — adjectives and metaphors that carry evaluation: rigorous, overwhelming, race, engine.

Spot the pattern: which words belong together?

“…thousands of illegal immigrants to sneak into Britain…” — Daily Star

“bogus asylum seekers have been allowed to pour into Britain to live off our taxes.” — The Sun

Spot the pattern: which words belong together?

  • Which words seem to belong together — same topic, same picture?
  • What picture of refugees and asylum seekers do they paint?

Semantic fields: words travel in packs

A semantic field = a set of words related in meaning, clustering around one topic or image.

The writer chooses fields — and the choice quietly builds the message.

The fields they found

Semantic field Examples from the articles Effect
Illegal entry sneak into, break into, pour into Britain newcomers = intruders
Number thousands, massive, influx an overwhelming quantity
Burden live off our taxes, benefits bill newcomers = a cost

(Baker et al. 2008)

How to find semantic fields

  1. Underline the loaded words — repeated or vivid nouns and verbs.
  2. Cluster them — which share a topic? Label each cluster.
  3. Count the clusters — which field dominates? Which never appears?
  4. Ask why — why this word from the field, not a neutral one? (sneak into vs. arrive in)

How to find semantic fields

Corpus shortcut (coming weeks): keywords + concordance lines, grouped into categories — Baker et al. (2008) sorted collocates of refugees / asylum seekers into eight fields, then read the lines to interpret them.

Metaphor: one thing said as another

Metaphor = an abstract thing talked about in concrete terms.

Metaphor: one thing said as another

In the quotes above, pour makes people into water.

Metaphor: one thing said as another

  • Water has no face, no voice, no rights — dehumanisation (Baker et al. 2008).
  • Water is out of control — the topos of number/threat in a single image (Van der Valk 2000, cited there).
  • The writer never said anything “bad” — the metaphor did the work.
  • One metaphor is a flourish; a repeated metaphor (pour, flood, stream) is a strategy.

Quick check: spot the field, spot the metaphor

In pairs, 4 minutes. Two (constructed) headlines about universities:

A. “Universities race to climb the rankings as Asian rivals muscle in.”

B. “A generation of brilliant minds is being locked out of the lab.”

  • Which semantic field? Which metaphorical domain?

Quick check — what you should have found

  • A — competition/sport field: race, climb, rivals, muscle in → education = a contest, rankings = the scoreboard. Learning never appears.
  • B — enclosure field: locked out, lab → talent = people shut outside; the metaphor hides who holds the key and why the door is shut.
  • Both are “just metaphors” — and both do evaluative work: DHA strategy 2, predication.

Lens 1 in detail (2/2): numbers & grammar

  • Numbers — rankings, statistics, percentages. They feel objective — but someone chose which numbers to print.
  • Grammar — who acts and who suffers: “China is pouring products” vs. “grants were frozen”.

Lens 2 in detail: who made this, for whom?

Every media text is oriented to a target audience — and shaped for them.

  • Genre signals it: a literary interview (book readers) vs. a news feature (general public, policymakers).
  • Register & tone adjust to the audience: personal storytelling vs. data and official voices.
  • O’Keeffe: with the audience absent, media design a relationship — friendly, alarming, authoritative.

Lens 2 in detail: who made this, for whom?

Ask of any article: who is this written for, and what is it trying to make them feel or do?

Lens 3 in detail: absences are evidence too

A text tells you not only what the world looks like, but what is not worth mentioning.

  • Who is quoted — and who never gets a voice?
  • Which inconvenient facts or viewpoints are simply absent?
  • If two “balanced” articles leave out opposite things, what does each audience never learn?

Lens 3 in detail: absences are evidence too

CDA’s core habit: account for absences as well as presences — why these choices, among all the alternatives?

A CDA checklist: the five DHA strategies (1/2)

  1. Referential / nomination — how are people and things called and categorised?
  2. Predication — what qualities and attributes are attached to them?
  3. Argumentation — which topoi justify the view? (threat, success, fairness…)

A CDA checklist: the five DHA strategies (2/2)

  1. Perspectivation — whose voice and whose side does the text take?
  2. Intensification / mitigation — what is stressed, what is played down?

(Discourse–Historical Approach, Reisigl & Wodak 2001; Baker et al. 2008, Table 1)

An example

The buzzwords reflecting the frustration of China’s young generation

Session 2

Survey + group CDA workshop

Our lab rats for today

Reading A — Peter Hessler (2024): Peter Hessler on China’s Evolving Education System.

Reading B — NPR (2026): How the U.S. is losing ground to China in university research.

Reading C - Wang Aihua, People’s Daily (2025): Beyond exams, China envisions versatile future for students.

Same broad topic: Chinese education and scientific research.

Pick A and either B or C and analyze using the approach we just learned. Then compare your findings.

Step 1: The survey

In your group, carefully read the sourcees (the first one is an online interview):

  1. What is each article’s topic and tone?
  2. Who does it seem written for?
  3. Which one interests your group most — and why?

Then claim your article (first come, first served — one group per article if possible).

Step 2: Group roles & ground rules

  • Facilitator — keeps the group moving through the worksheet
  • Recorder — writes down every finding and every disagreement
  • Presenter — delivers the report in Session 3
  • Everyone — a reader and a coder first

Golden rule: complete your own reading and notes before you discuss. Separate eyes first — shared conclusions second.

Step 3: The CDA worksheet

  1. Referential / nomination: how are students, teachers, education, society called and categorised? Which semantic fields dominate the vocabulary?
  2. Predication: what adjectives, metaphors, evaluative words attach to them? Which metaphorical domains keep repeating?
  3. Argumentation: which topoi justify the article’s view? (threat, success, tradition, fairness, freedom…)

Step 3: The CDA worksheet

  1. Perspectivation: who speaks (quoted voices), whose side is the text on?
  2. Intensification / mitigation: what is (not) stressed, what is hedged or played down?

Why CDA first, corpus later?

  • CDA teaches you to see the choices — naming, framing, absences. That skill comes first.
  • The risk of close reading alone: maybe you picked a weird example. Maybe it’s just this one article.
  • Corpus methods (weeks 4+) answer that: do these patterns repeat across hundreds of articles?

Today’s job: produce one solid, evidence-backed close reading. Scale comes next.

Session 3

Group presentations

Presentation format

Your report should cover:

  1. The article — what it is, who it’s for
  2. The construction — 1–2 DHA strategies, each with a quoted example
  3. The absence — one thing the article makes hard to see
  4. Your finding(s) (30 sec)

Listener’s task

While other groups present, note on your worksheet:

  • Which strategies keep recurring across articles? (nomination? threat topos? numbers?)
  • Do the articles construct Chinese education/research differently — and can you link that to their audiences?
  • Which article would you want to fact-check or compare against a corpus?

After the talks: the pattern question

Discussion:

  • Same broad topic, different constructions. What explains the differences — facts, or audiences & purposes?
  • If you had 100 articles instead of 4, how would you check whether your pattern is real?

That question — “is it just this text, or a pattern?” — is exactly where corpus linguistics comes in next.

Wrap-up

Keywords in media discourse analysis (1/4)

Term Plain meaning
Media discourse Language of media, made for an absent audience (O’Keeffe)
Public / manufactured / on record Its three properties — traceable, designed, open to study
Audience design Shaping a text for its intended audience
Framing The angle a text takes on an event (education as tradition vs. as race)
Semantic field Words from one meaning-area clustering in a text (power, dawn, grasp)

Keywords in media discourse analysis (2/4)

Term Plain meaning
Stance The attitude a text signals toward its topic
Representation How a text builds a picture of people/events
Ideology Values & interests hidden in those representations
Absence What a text leaves out — evidence too
Metaphor / metaphorical domain Abstract said as concrete; repeated domains = strategy (Baker et al. 2008)

Keywords in media discourse analysis (3/4)

Term Plain meaning
CDA Critical Discourse Analysis — power in language
DHA Discourse–Historical Approach (Reisigl & Wodak) — our five strategies
Nomination/referential & predication Strategies 1–2: naming, describing
Topos / argumentation Strategy 3: topoi (threat, success, fairness…)

Keywords in media discourse analysis (4/4)

Term Plain meaning
Perspectivation Strategy 4: viewpoint & voice
Intensification / mitigation Strategy 5: stressing vs. softening
Corpus / keyness / collocation / concordance Tools for pattern-checking at scale (Baker et al. 2008)